Theatre of Perception. Interview to Florian Hecker

SynAsTex Korrektur (2019) is a synthetic composition embracing the histories of analysis, abstraction and resynthesis of sound, in a live, computer-generated, 9-channel sound piece by the German artist Florian Hecker, one of the leading exponents of contemporary computational music. Presented by Xing, the School of Engineering and Architecture of the University of Bologna hosted the implementation of this new “theater of perception” giving life to the dialogue between the severe architecture of Italian rationalism—which emphasizes the balance between vertical momentum and structural solidity—and the electronic of the German artist. Paolo Iocca asked him a few questions. 

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